BIO
Nicholas Matthews is a director of photography whose work explores beauty and violence. His technical and visual choices serve the emotional rhythm of the story, from lighting, color, and composition to camera movement and texture. He believes in crafting images that are both tactile and atmospheric, where shadows are not merely dark, but expressive and lyrical.
He recently finished production on KAET MIGHT DIE, a surreal dramedy, starring Awkwafina, Ken Jeong, and Anthony Ramos. The film marks his third collaboration with director Mercedes Bryce Morgan. RIVER (IFC, Shudder), a survival slasher, is set to hit theaters soon. The film unites Jane Levy and Jessica Rothe for director Joshua Giuliano’s debut feature.
Matthews’ most recent release, BONE LAKE (Bleecker Street - 2024) earned the Audience Award at the 2024 Brooklyn Horror Film Festival. Described as an erotic survival thriller, the film drew praise from RogerEbert.com, which described Matthews’ work as having a “lurid neo-giallo color palette that is delightfully eye-catching.”
His projects include SAW X (Lionsgate - 2023), which received the franchise’s best reviews and grossed over $110 million; MOB LAND, which stars John Travolta and Stephen Dorff (Lionsgate - 2023); SPOONFUL OF SUGAR (Shudder - 2022); and CUCK (Gravitas Ventures - 2019). His work has screened across the world at festivals including Cannes, Sitges Film Festival, and Fantastic Fest. Matthews worked alongside horror legend Dan Myrick, director and writer of The Blair Witch Project, on the horror anthology Black Veil.
Raised in the American South in a religious milieu that banned movie theaters, Matthews nonetheless fell in love with the art of filmmaking. He thrives on collaboration in discovering each film’s unique visual story.
BIO
Nicholas Matthews is a director of photography whose work explores beauty and violence. His technical and visual choices serve the emotional rhythm of the story, from lighting, color, and composition to camera movement and texture. He believes in crafting images that are both tactile and atmospheric, where shadows are not merely dark, but expressive and lyrical.
He recently finished production on KAET MIGHT DIE, a surreal dramedy, starring Awkwafina, Ken Jeong, and Anthony Ramos. The film marks his third collaboration with director Mercedes Bryce Morgan. RIVER (IFC, Shudder), a survival slasher, is set to hit theaters soon. The film unites Jane Levy and Jessica Rothe for director Joshua Giuliano’s debut feature.
Matthews’ most recent release, BONE LAKE (Bleecker Street - 2024) earned the Audience Award at the 2024 Brooklyn Horror Film Festival. Described as an erotic survival thriller, the film drew praise from RogerEbert.com, which described Matthews’ work as having a “lurid neo-giallo color palette that is delightfully eye-catching.”
His projects include SAW X (Lionsgate - 2023), which received the franchise’s best reviews and grossed over $110 million; MOB LAND, which stars John Travolta and Stephen Dorff (Lionsgate - 2023); SPOONFUL OF SUGAR (Shudder - 2022); and CUCK (Gravitas Ventures - 2019). His work has screened across the world at festivals including Cannes, Sitges Film Festival, and Fantastic Fest. Matthews worked alongside horror legend Dan Myrick, director and writer of The Blair Witch Project, on the horror anthology Black Veil.
Raised in the American South in a religious milieu that banned movie theaters, Matthews nonetheless fell in love with the art of filmmaking. He thrives on collaboration in discovering each film’s unique visual story.

SAW X
AMERICAN CINEMATOGRAPHER
UNLEASHING TERROR THROUGH LIGHTING
SCREEN RANT
SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL
& BRINGING BACK ICONIC FRANCHISE VISUALS
LIONSGATE
SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
BONE LAKE
AMERICAN CINEMATOGRAPHER
CRAFTING A SURREAL, SEDUCTIVE LOOK
SCREEN RANT
CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS
ROGER EBERT . COM
FILM REVIEW
To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
PRESS
SAW X
AMERICAN CINEMATOGRAPHER
UNLEASHING TERROR THROUGH LIGHTING
SCREEN RANT
SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL
& BRINGING BACK ICONIC FRANCHISE VISUALS
LIONSGATE
SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
BONE LAKE
AMERICAN CINEMATOGRAPHER
CRAFTING A SURREAL, SEDUCTIVE LOOK
SCREEN RANT
CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS
ROGER EBERT . COM
FILM REVIEW
To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
AMERICAN CINEMATOGRAPHER
Saw X "Unleashing Terror Through Lighting"
PRESS
SCREEN RANT
Saw X Cinematographer Talks Recreating Original Feel & Bringing Back Iconic Franchise Visuals
AMERICAN CINEMATOGRAPHER
Bone Lake "Crafting a Surreal, Seductive Look"
FANGORIA
Bone Lake Makes Horror Horny Again
LARKHAUS
The Art of Cinematography with Nicholas Matthews: Light, Story & Emotion

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COMMERCIAL
& MUSIC VIDEOS
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PRESS INQUIRIES
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CONTACT
SAW X
AMERICAN CINEMATOGRAPHER
UNLEASHING TERROR THROUGH LIGHTING
SCREEN RANT
SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL
& BRINGING BACK ICONIC FRANCHISE VISUALS
LIONSGATE
SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
BONE LAKE
AMERICAN CINEMATOGRAPHER
CRAFTING A SURREAL, SEDUCTIVE LOOK
SCREEN RANT
CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS
ROGER EBERT . COM
FILM REVIEW
To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
PRESS

