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​SAW X​

AMERICAN CINEMATOGRAPHER

UNLEASHING TERROR THROUGH LIGHTING​

​

SCREEN RANT

SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL

& BRINGING BACK ICONIC FRANCHISE VISUALS​

​

LIONSGATE

SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
 

FANGORIA

SAW X THROWS BACK TO THE BEGINNING

“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”

​

NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES

​

ABEL CINE

CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X

​

​

BONE LAKE

AMERICAN CINEMATOGRAPHER

CRAFTING A SURREAL, SEDUCTIVE LOOK
​

SCREEN RANT

CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS​

​

ROGER EBERT . COM

FILM REVIEW

To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.

​

FANGORIA

SAW X THROWS BACK TO THE BEGINNING

“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”

​

NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES

​

ABEL CINE

CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X

AMERICAN CINEMATOGRAPHER SAW X "UNLEASHING TERROR THROUGH LIGHTING" ScreenRant - Saw X Cinematographer Talks Recreating Original Feel & Bringing Back Iconic Franchise Visuals
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​SAW X​

AMERICAN CINEMATOGRAPHER

UNLEASHING TERROR THROUGH LIGHTING​

​

SCREEN RANT

SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL

& BRINGING BACK ICONIC FRANCHISE VISUALS​

​

LIONSGATE

SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
 

FANGORIA

SAW X THROWS BACK TO THE BEGINNING

“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”

​

NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES

​

ABEL CINE

CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X

​

​

BONE LAKE

AMERICAN CINEMATOGRAPHER

CRAFTING A SURREAL, SEDUCTIVE LOOK
​

SCREEN RANT

CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS​

​

ROGER EBERT . COM

FILM REVIEW

To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.

​

FANGORIA

SAW X THROWS BACK TO THE BEGINNING

“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”

​

NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES

​

ABEL CINE

CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X

AMERICAN CINEMATOGRAPHER SAW X "UNLEASHING TERROR THROUGH LIGHTING" ScreenRant - Saw X Cinematographer Talks Recreating Original Feel & Bringing Back Iconic Franchise Visuals

BIO​

Nicholas Matthews is a director of photography whose work explores beauty and violence. His technical and visual choices serve the emotional rhythm of the story, from lighting, color, and composition to camera movement and texture. He believes in crafting images that are both tactile and atmospheric, where shadows are not merely dark, but expressive and lyrical.

​

His latest film, RIVER had its world premiere as the opening night film of TIFF’s 2026 Midnight Madness. The survival slasher unites Jane Levy and Jessica Rothe for director Joshua Giuliano’s debut feature.

 

He recently finished production on KATE MIGHT DIE, a surreal dramedy, starring Awkwafina, Ken Jeong, and Anthony Ramos. The film marks his third collaboration with director Mercedes Bryce Morgan.

 

His projects include SAW X (Lionsgate - 2023), which received the franchise’s best reviews and grossed over $110 million; erotic thriller BONE LAKE (Bleecker Street - 2024), which earned the Audience Award at the 2024 Brooklyn Horror Film Festival; MOB LAND, which stars John Travolta and Stephen Dorff (Lionsgate - 2023); SPOONFUL OF SUGAR (Shudder - 2022); and CUCK (Gravitas Ventures - 2019). His work has screened across the world at festivals including Cannes, Sitges Film Festival, and Fantastic Fest. Matthews worked alongside horror legend Dan Myrick, co-director and co-writer of The Blair Witch Project, on the horror anthology BLACK VEIL (2021).

 

Raised in the American South in a religious milieu that banned movie theaters, Matthews nonetheless fell in love with the art of filmmaking.

CONTACT

ZERO GRAVITY MANAGEMENT
www.zerogravitymanagement.com
OFFICE: 310.405.0513

 
FILM & TV
ALEX FRANKLIN
afranklin@zerogravitymanagement.com

COMMERCIAL
& MUSIC VIDEOS

AJAY GHOSH
aghosh@zerogravitymanagement.com

PRESS INQUIRIES
EBCOMS
+1 (818) 924-2772

info@ebcoms.com

DIRECT
nmatthewsfilm@gmail.com

RESUME  -  IMDB

​SAW X​

AMERICAN CINEMATOGRAPHER

UNLEASHING TERROR THROUGH LIGHTING​

​

SCREEN RANT

SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL

& BRINGING BACK ICONIC FRANCHISE VISUALS​

​

LIONSGATE

SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
 

FANGORIA

SAW X THROWS BACK TO THE BEGINNING

“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”

​

NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES

​

ABEL CINE

CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X

​

​

BONE LAKE

AMERICAN CINEMATOGRAPHER

CRAFTING A SURREAL, SEDUCTIVE LOOK
​

SCREEN RANT

CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS​

​

ROGER EBERT . COM

FILM REVIEW

To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.

​

FANGORIA

SAW X THROWS BACK TO THE BEGINNING

“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”

​

NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES

​

ABEL CINE

CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X

AMERICAN CINEMATOGRAPHER SAW X "UNLEASHING TERROR THROUGH LIGHTING" ScreenRant - Saw X Cinematographer Talks Recreating Original Feel & Bringing Back Iconic Franchise Visuals

AMERICAN CINEMATOGRAPHER
Saw X "Unleashing Terror Through Lighting"

PRESS

AMERICAN CINEMATOGRAPHER
Bone Lake "Crafting a Surreal, Seductive Look"

FANGORIA
Bone Lake Makes Horror Horny Again

LARKHAUS
The Art of Cinematography with Nicholas Matthews: Light, Story & Emotion

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