SAW X
AMERICAN CINEMATOGRAPHER
UNLEASHING TERROR THROUGH LIGHTING
SCREEN RANT
SAW X CINEMATOGRAPHER TALKS RECREATING ORIGINAL FEEL
& BRINGING BACK ICONIC FRANCHISE VISUALS
LIONSGATE
SAW X - SPECIAL FEATURE "LEGACY"
"We're working with a cinematographer who has just done a fabulous job" - Tobin Bell
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
BONE LAKE
AMERICAN CINEMATOGRAPHER
CRAFTING A SURREAL, SEDUCTIVE LOOK
SCREEN RANT
CINEMATOGRAPHER NICK MATTHEWS REVEALS CHALLENGES AND INSPIRATIONS
ROGER EBERT . COM
FILM REVIEW
To complete Morgan’s vision of a horrific vacation from hell, cinematographer Nick Matthews conjures up a lurid neo-giallo color palette that’s delightfully eye-catching. Perhaps few cabins in the woods would be lit up like a neon-soaked house of horrors, but both Matthews and Morgan lean into that colorful visual style, playing up the strange, deadly circumstances Sage and Diego find themselves in.
FANGORIA
SAW X THROWS BACK TO THE BEGINNING
“I wanted us to be able to get back to the grit, the rustiness, the dirtiness, the scumminess, the of grime that makes you feel like you need a tetanus shot.”
NO FILM SCHOOL
SAW X CINEMATOGRAPHER NICK MATTHEWS TIPS FOR SHOOTING IN 360 DEGREES
ABEL CINE
CINEMATOGRAPHER NICK MATTHEWS TALKS SAW X
PRESS